Twin Limb hardly needs any introduction, but this video might.

  On December 13, 2014, they crammed into the very dark Modern Cult Records space—lit only by a single desk lamp. The duo of Lacey Guthrie and Maryliz Bender faced one another as they wove their way through a 40-plus-minute spellbinding set of beautiful, dreamy, dark psychedelic drone pop. This is another era of Twin Limb, before they became a trio and rocketed to success—sharing the stage with major headlining acts and releasing brilliant records. This video should make it very clear why they were on that trajectory. 

Turn it up, get lost, and witness the spark before the explosion. We hope you enjoy this deep-from-the-vault episode of the Louisville Archive Series Vol. 17! Audio lovingly restored and remastered by Thomas Burgos.

Sometimes in Louisville, you never know what you might find.

  I stumbled into a dense grove of trees at Waterfront Park to find a stage setup like a living room—complete with couches, lamps, and all the furnishings. A dapper young man in a brown polyester, home-bedazzled suit with an old acoustic guitar took the stage. I had no idea how well-spent the next sixteen minutes of my life would be. 

The man in the suit is Ryan Anderson, whose solo act Moose Loon seamlessly crooned through an intimate four-song set as the sun set slowly over his shoulder. These tracks come from his first full-length record, "Out on the Edge of Everything," which he will drop on August 7, 2026. 

As my colleague perfectly put it, Moose Loon's sound would fit right into 1967 Laurel Canyon. Think Neil Young, Donovan, CSNY, and The Mamas & The Papas—but with a clever, modern twist. Hope you enjoy Volume 16 of the Louisville Archive Series. Like, Subscribe and Comment if you believe in preserving moments such as this.

I unzipped my tent door, felt the light rain, and grabbed my first coffee of the morning—only to see the bass player for Fresh Cut Grass hauling a very large, very heavy upright bass down a half-mile-plus forested gravel road by foot. He told me he was headed to sound check, that the gate down the road was locked, so he couldn't get his truck down to the stage. I watched him walk off and vanish into the distance, thinking to myself what an intrepid move that was. 

That image is exactly how I’d describe the 30 some-year-running Louisville, Kentucky–based bluegrass band Fresh Cut Grass: dogged, determined, and scrappy. They managed to get everything to the stage for a thoroughly rainy opening set at Forest Fest 2026. The band immediately set fire to the stage with hot energy and ripped through a set of songs about revenge, love, moonshine and they even threw in a gospel song for good measure. 

One thing is for sure: Fresh Cut Grass is the real deal, authentic to the core and a true bluegrass treasure.

Unfortunately, Amelia Day has yet to master controlling the weather, as their set at Louisville's Forest Fest 2026 was suddenly cut off by lightning. But one thing was made clear, this Nashville based songwriters singing voice can send the good kind of goosebumps up your arms. Amelia Day is an up and coming indie artist that blends Jazz, Country and Folk into well crafted songs that are unique and hit hard. This is a double header of The Louisville Archive Singles Edition featuring the songs Skipping Down The Sidewalk and Therapist's Wet Dream, a great introduction to this interesting artist. Amelia Days just dropped a new EP on June 12th called Ego Trip that is highly recommended. Give it a spin.

Birdsong and bluegrass drifted through the trees at Jefferson Memorial Forest (Forest Fest 5/16/26) as the afternoon rain turned into filtered sun through the canopy. Families sprawled on picnic blankets and the scent of barbecue and beer hung in the air. Then a banjo chord cut through the gentle hum of conversation, and the crowd’s attention shifted toward the stage.

  Roadie took the stage. But this wasn’t the electrified Roadie their fans had come to expect. Stripped of amps and effects, the Louisville-based band, led by Chris Rodahaffer, delivered a very special intimate acoustic set that felt more like a living‑room session than a festival show. From the first strum, the band’s signature “groovy, psychedelic vibe” was re-imagined in a fresh, stripped‑down setting. Rodahaffer’s melodic guitar work and warm vocals took center stage, supported by Jose Oreta’s steady upright bass, Woody Woodmansee’s delicate accordion passages, Ellie Ruth's incredible fiddle work and Dani Markham’s Incomparable percussive textures. 

Without the usual electric clamor, the exploratory improvisations that define Roadie’s live sound became even more pronounced, each song unfolding like a quiet conversation between friends. The setlist blended re-imagined originals with a few old‑time classics, nodding to the bluegrass and Americana roots of the festival. As the sun painted the forest in shades of gold and shadow, the band closed with a haunting encore of Johnny Court The Widow. The crowd lingered, reluctant to break the spell. 

We hope you enjoy volume 14 of the Louisville Archive series, it is a very special one to us. If you’ve never heard Roadie like this before, you’re in for a rare treat. This is the band at their most raw and vulnerable—proof that sometimes the quietest moments make the loudest impact.

Welcome back to the Louisville Archive Live Music Series – Singles Edition. This edition features the Louisville, KY trio- Condors in the System and their song Boom Slang, from a May 9th, 2026 performance at Zanzabar Primarily a rock and roots music outfit, the trio has a real focus on pushing the three‑piece band format into modern territories.Their music has been described as progressive, psychedelic, atmospheric, as well as fuzzy, funky, and heavy. The song Boom Slang is unreleased and is being recorded for a forthcoming record. Give it a listen!

To call The Tillers an average bluegrass band would be criminal. They've got their feet in bluegrass, folk, and early blues — mixed with a punk rock, riverboat gambler heart. With their toes in so many musical buckets, you wouldn't think they'd have a clear identity as a band. But take it from us: it works, and it works very well.

  So what was one to expect as the band made their way from Cincinnati to the amazing annual Forest Fest at Jefferson Memorial Forest in Louisville, Kentucky? The answer is simple: we didn't know what to expect. But they ended up knocking our socks off with their tightly woven, utterly unique sound. The clouds and rain parted to welcome this Cincinnati band to the stage, where they graced us with killer songs like "George Street Beat," "Tecumseh On The Battlefield," "Shanty Boat," and more — songs that double as Cincinnati history lessons just as much as excellent music. 

The Tillers' sound married perfectly with the surroundings of the festival: the gorgeous knobs and hills of Jefferson Memorial Forest, draped in dappled sunlight. Oh, lovely day. Enjoy Volume 13 of The Louisville Archive Live Music Series the way you'd enjoy any perfect summer afternoon — iced tea or moonshine on the porch, sandals optional. 

Thank you to The Tillers and Jefferson Memorial Forest for an unforgettable time. Check them both out if you need a little relaxation. 

Welcome to a new feature called The Louisville Archive Live Music Series - Singles Edition. Instead of full sets, we zero in on one song from a band: a single track that distills the sweat, the feedback, and the fleeting energy of a night that almost got away. Think of it as a jukebox of lost songs, powered by a hard drive that refused to die. No shrink wrap, no greatest hits—just one song, one bar, one basement, one moment where the tape was still rolling. This edition features the deceptively complex, surf-punk acid rock band Baby Bones from Louisville, Kentucky. From the depths of the vault comes "Slick Shoes" – a lost Baby Bones live track that was supposed to land on the What Do I Do single but got yanked at the last minute. Until now, it only existed as a rumor and a memory from Kaiju on July 5th, 2019. This isn't a studio polish job. This is the Poorcastle Festival after party – loud, and one-take honest. The room was buzzing, a sauna, Kaiju’s walls sweating something closer to soup. Why did they pull it from the single? Who knows. Too raw? Too weird? Too feral? You tell us. Nick Zampiello at New Alliance East mastered it, tamed the edges just enough, and it's been sitting in the vault, until now.

On August 6, 2016, Twin Sister Radio crammed into Modern Cult Records and ripped through their cassette single release for “I Want Sugar” / “Hey!” — and the whole sweaty set was caught on video, which makes up the latest edition of Louisville Music Archive Volume 12. For the uninitiated, Twin Sister Radio were the kind of band that felt like a secret handshake: shimmering Krautrock, beautifully entangled boy/girl vocals, guitars that jangled and jolted in equal measure, and melodies so sticky they’d live in your head for weeks. Equal parts sugar rush and basement-show electricity.

Whether you were pressed against the stacks that night, or just discovering Twin Sister Radio for the first time, this archival release is your direct portal back to the 2016 Louisville music scene. Hit play, crank it loud, and let those melodies pull you in.

Watch the full performance now

We just dropped Louisville Archive – Vol. 11: Priests – a raw, sweaty, completely unfiltered time capsule of Washington, D.C.’s most fearless punk band right before they changed the game. 
Modern Cult Records, Louisville, KY
January 21, 2014 – just months before their release of the landmark EP, Bodies and Control and Money and Power. This is Priests at their most unapologetic and raw. It's everything you loved about 80's punk with a twist of surf and something unexplainable. This is one of our personal favorite DC bands of all time. See why Priests became legendary – hit play.

Bands are ghosts.

They show up, play for 20 minutes, leave a bourbon stain on the floor, and vanish. All that's left is grainy footage and the people who were lucky enough to be in the room. 

This is TTG. May 17th, 2014, Modern Cult Records for their debut show and the latest in the Louisville archive live music series. High energy angular guitars, hooky keyboards, and a locked-in rhythm section. The kind of nervous, danceable punk rock that never leaves your head. 

They're gone now. But this night still exists—because the tape was rolling.

Go watch something that doesn't exist anymore.

Subscribe if you believe in preserving the rubble.

Volume 9 of the Louisville Archive takes you back to Dreamland Louisville, 2014, featuring IamIs. There are bands you hear. And then there are bands you feel. IamIs is the second kind. Out of Louisville comes a sound that is unmistakably R&B at its core, but wrapped in a mystic carnival haze. Floaty. Hypnotic. Utterly unique. This is the perfect soundtrack for staring at the clouds or the stars. Music that evokes the quiet drama of your own thoughts and refuses to play by anyone's rules. What they do is a rare kind of alchemy. Songs that drift through different parts of your psyche, anchored by some of the best vocals you have ever heard. Haunting.
Smooth.
Important. 
Press play. Let the haze wash over you.

Louisville Archive Volume 8 is here. Get ready for some serious energy. This volume features Jaxon Lee Swain—imagine a 1950s boogie-woogie band that went punk. High-octane, charismatic as hell, and backed by an absolutely killer band. Pure Louisville magic. Recorded at Monnik Beer Company in 2017,  restored and mastered by Thomas. Burgos. Watch the full set now and check out their wonderful EP Night Diamonds  via SonaBLAST records. Hope you dig it and subscribe so you don't miss future volumes!

 Here is volume seven of our new Louisville archive live music video series ,featuring Twenty First Century Fox. TFCF are a long running Louisville, Kentucky based band who defy all descriptions. While they are super high energy and hip shaking danceable party music, there is something much more complex going on under the surface, making them one of our favorite bands of this era. This show took place on August 26th, 2016 at Zanzabar and was the release party for their excellent cassette YR WELCOME. TFCF were prolific and dropped four full-lengths and a split seven inch.  Sit back, relax and enjoy!   

This is volume six of our Louisville archive live music video series. The series focuses on preserving video/audio of various bands and musicians performing live in Louisville, Kentucky. This volume features The Instruction, who were a Louisville‑based vocal driven atmospheric indie rock group. They released two records: Failure By Design (2009) (SonaBLAST Records) and Monster Maker (2019) (Independent Release). The show took place on October 17th, 2015 at The New Vintage​. Sit back, relax and enjoy!

This is volume five of our Louisville archive live music video series. The series focuses on preserving video/audio of various bands and musicians performing live in Louisville, Kentucky. This volume features Cheyenne Mize & Julia Purcell with special guest Tori Fisher (Fire In The Saddle), who play some of the most authentically beautiful bluegrass, folk, country and Appalachian music we have ever heard. This performance took place at Modern Cult Records on December 11th, 2015 and was one of the release shows for the Head Cleaner Compilations and ​fundraiser for community radio station ARTXFM . Mize and Purcel made up 2/3rds of the group Maiden Radio which have an amazing vinyl record from OK Recordings called Wolvering that is highly recommended. This is a particularly sizzling performance that builds, so we suggest you sit in for the whole thing. Our deepest gratitude goes out to Thomas Burgos for his audio restoration and mastering of this show! Our recording rig was having issues that evening and through much care,  he was able to make this audio more than presentable. Otherwise, this show would have been lost to history, much love! Sit back, relax and enjoy!!